By John A. Parks
A follow-up to Rockport Publishers' best-selling Universal ideas of Design, a brand new quantity will current 100 rules, primary principles and techniques to creating artwork, that might consultant, problem and encourage any artist to make greater, extra centred art.Universal ideas of Art serves as a wealth of activates, tricks, insights and roadmaps that would open a global of percentages and supply worthy keys to either realizing paintings works and producing new ones. revered artist John A. Parks will discover ideas that contain either concepts and ideas in art-making, masking every little thing from the belief of attractiveness to glazing suggestions to geometric principles in composition to minimalist ideology. concepts are easy, direct and simply by way of any artist at any point. This exceptionally special reference booklet is the traditional for artists, historians, educators, execs and scholars who search to increase and increase their paintings services.
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Extra info for Universal Principles of Art: 100 Key Concepts for Understanding, Analyzing, and Practicing Art
Example text
4 cm) i Color restriction Early Cubist painting tended to use restricted palettes to create a more unified surface. Later on, some of the Cubist painters, particularly Robert Delauney (1885–1941), experimented with richer color. i Time The ability to show multiple viewpoints also allowed for viewpoints from different times. The time-lapse photography of Eadweard Muybridge (1830–1904) had already inspired a number of painters, and Cubism now provided a way to deploy its discoveries. Marcel Duchamp’s Nude Descending the Staircase (see page 119) is a prime example.
4 cm) i Color restriction Early Cubist painting tended to use restricted palettes to create a more unified surface. Later on, some of the Cubist painters, particularly Robert Delauney (1885–1941), experimented with richer color. i Time The ability to show multiple viewpoints also allowed for viewpoints from different times. The time-lapse photography of Eadweard Muybridge (1830–1904) had already inspired a number of painters, and Cubism now provided a way to deploy its discoveries. Marcel Duchamp’s Nude Descending the Staircase (see page 119) is a prime example.
I Distortion as style Some artists adopt a distorted notion of form and space as an individual style. The Columbian artist Fernando Botero (1932–) paints all the figures in his paintings as though they were enormously fat. He has made a whole career out of playing endless games with this one idea. 1 Fang mask, Gabon, Wood, 26 in (66 cm) high 2 Edvard Munch (1863–1944) Self-Portrait with a Bottle of Wine, 1906, Oil on canvas, 43 5/16 × 47¼ in (110 × 120 cm) The artist distorts the perspective so that it closes in on the sitter and is somewhat unstable on the right.