By Jaeho Kang
Walter Benjamin (1892-1940), essentially the most unique and perceptive thinkers of the 20 th century, provided a distinct perception into the profound impression of the media on smooth society. Jaeho Kang’s e-book deals a lucid creation to Benjamin’s conception of the media and its carrying on with relevance this day. The e-book offers a scientific and shut studying of Benjamin’s serious and provocative writings at the intersection among media - from print to digital - and smooth event, near to the data undefined, the city spectacle, and the cultured politics. Bringing Benjamin’s suggestion right into a severe constellation with modern media theorists equivalent to Marshall McLuhan and Jean Baudrillard, the publication is helping scholars comprehend the results of Benjamin’s paintings for media reports this present day and the way they could observe his certain rules to modern media tradition. Kang’s ebook results in a clean appreciation of Benjamin’s paintings and new perception into serious theoretical methods to media. The ebook can be of specific curiosity to scholars and researchers not just in media and communique reports but in addition in cultural stories, movie stories and social concept, who're looking a readable assessment of Benjamin’s wealthy but complicated writings.
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Extra resources for Walter Benjamin and the Media: The Spectacle of Modernity (Theory and Media)
Example text
Finke, and B. Johnson (eds) The Norton Anthology of Criticism and Theory, New York: W. W. Norton, 2014–21. Woolf, V. (1988 [1924]) “Character in Fiction,” The Essays of Virginia Woolf, Vol. III 1919– 1924, ed. A. McNeillie, London: The Hogarth Press. 420–38. Wordsworth, W. (1979) The Prelude 1799, 1805, 1850, ed. J. Wordsworth, M. H. Abrams, and S. Gill, New York: W. W. Norton. Žižek, S. (1989) The Sublime Object of Ideology, New York: Verso. ——(1993) Tarrying with the Negative: Kant, Hegel, and the Critique of Ideology, Durham: Duke University Press.
Instead, Benjamin sees the Utopian future as a constellation where moments of messianic time coalesce in a fully dialectical leap out of ordinary time to the end of history. Thompson credits Agamben with separating the notion of messianism from this eschatological dimension, allowing us to conceive of messianic time in terms of the lag between our representations of time and the time it takes us to make those representations: the gap between saying “now” and the now that saying was meant to describe.
420–38. Wordsworth, W. (1979) The Prelude 1799, 1805, 1850, ed. J. Wordsworth, M. H. Abrams, and S. Gill, New York: W. W. Norton. Žižek, S. (1989) The Sublime Object of Ideology, New York: Verso. ——(1993) Tarrying with the Negative: Kant, Hegel, and the Critique of Ideology, Durham: Duke University Press. html6/20/2010 6:00:24 PM page_17 next page > page_18 < previous page page_18 next page > page_18 next page > Page 18 This page intentionally left blank. html6/20/2010 6:00:24 PM page_19 < previous page page_19 next page > Page 19 Part I Theory’s modernism Concrete connections Introduction The essays and responses in this section focus on demonstrable links between theory and modernism.