By Peter C. Rollins
American background has continuously been an impossible to resist resource of proposal for filmmakers, and at the present time, for stable or sick, such a lot Americans'sense of the prior most probably comes extra from Hollywood than from the works of historians. In very important motion pictures resembling The delivery of a Nation (1915), Roots (1977), Apocalypse Now (1979), and Saving inner most Ryan (1998), how a lot is leisure and what kind of is rooted in old truth? In The Columbia significant other to American historical past on Film, greater than seventy students contemplate the distance among historical past and Hollywood. They learn how filmmakers have awarded and interpreted crucial occasions, subject matters, eras, and figures within the American previous, frequently evaluating the movie types of occasions with the interpretations of the easiest historians who've explored the subject.
Divided into 8 large different types -- Eras; Wars and different significant occasions; remarkable humans; teams; associations and routine; locations; topics and issues; and Myths and Heroes -- the quantity positive factors huge cross-references, a filmography (of mentioned and correct films), notes, and a bibliography of chosen ancient works on each one topic. The Columbia better half to American historical past on Film is usually a major source for lecturers, with broad info for learn or for direction improvement acceptable for either highschool and school students.
Though every one essay displays the original physique of movie and print works overlaying the topic to hand, each essay addresses a number of basic questions:
• What are the foremost movies in this topic?
• What resources did the filmmaker use, and the way did the movie deviate (or stay real to) its assets?
• How have movie interpretations of a selected ancient subject replaced, and what varieties of elements -- technological, social, political, historiographical -- have affected their evolution?
• Have filmmakers altered the old checklist in order to improving drama or to reinforce the "truth" in their putative message?
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Additional resources for The Columbia Companion to American History on Film
Example text
Over the course of the film, Alan, who has secretly signed over a $5,000 life-insurance policy to Gabby, talks Mantee into shooting him. He believes that his death will make a creative life possible for Gabby, thus salvaging at least one positive value from the Depression. Just as Mantee shoots Alan, a posse arrives. Mantee and his gang flee, but the other hostages at the cafe´ soon hear over the radio that the gang leader has been killed. The Petrified Forest reflects forms of humanity within the framework of the Depression.
Behind the Mask of Innocence. New York: Knopf, 1990. ——. The War, the West and the Wilderness. New York: Knopf, 1979. Crafton, Donald. The Talkies: American Cinema’s Transition to Sound, 1926–1931. New York: Simon & Schuster, 1997. Cripps, Thomas. ” In John E. O’Connor and Martin A. , American History/ American Film: Interpreting the Hollywood Image, 39–55. New York: Frederick Ungar, 1979. Haskell, Molly. From Reverence to Rape: The Treat- ] ment of Women in the Movies. New York: Penguin, 1975.
Builders of the Bay Colony. Boston: Houghton Mifflin, 1930. ——. The Intellectual Life of Colonial New England. New York: New York University Press, 1956. Pitts, Michael R. S. History. Jefferson, NC: McFarland, 1984. Santayana, George. The Last Puritan: A Memoir in the Form of a Novel. New York: Scribner’s, 1936. ] 9 [ JOSEPH MILLICHAP ] The 1890s he final decade of the nineteenth century would prove conclusive in America’s transition from the rural and agrarian simplicity of the early republic to the urban and industrial complexity of the twentiethcentury superpower.