By Jason Wood
Last phrases good points vast interviews with Christopher Nolan, concord Korine, Charlie Kaufmann, Nicolas Winding Refn, Wim Wenders, Michael Winterbottom, Christian Petzhold, and so on. each one interview is preceded by way of an outline of the director's paintings, and the volume's authoritative introductory essay explores the price of those administrators and why they're infrequently given a suitable platform to debate their craft.
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In 1897, Archibald Constable & corporation released a singular through the unheralded Bram Stoker. That novel, Dracula, has long past directly to develop into maybe the main influential novel of all time. To commemorate the centennial of that fab novel, Carol Margaret Davison has introduced jointly this selection of essays through the various world's prime students. The essays research Stoker's unique novel and rejoice its legacy in pop culture. the continued presence of Dracula and vampire fiction and movies presents evidence that, as Davison writes, Dracula is "alive and sucking. "
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Extra resources for Last Words: Considering Contemporary Cinema
And when you are a foreigner and you enter into it, you must stay there and not leave. Well, you might make several short visits to your home, but then you must return to that land and no longer leave it. Because it is a matter of a national contract, a national commitment! ’’ Entering into this ﬁeld of knowledge amounts to a ‘‘national commitment,’’ a ‘‘contract’’ with the Haitian nation; one gains access to secret knowledge of the practice of zombiﬁcation, which far exceeds the framework of academic interest, of curiosity about the Other.
18077$ $CH3 07-13-11 11:43:53 PS PAGE 39 40 Richard Hand the 1930s it became immediately evident that ‘‘radio listeners favored spine-chilling terrors over situation comedies,’’ with the direct consequence that by the late 1940s, ‘‘US Radio . . ’’3 This proliﬁc body of work represents one of the most fascinating yet woefully neglected areas in the study of popular horror culture. The vast body of horror radio presents an extraordinarily rich and diverse range of plays. Sometimes the horror plays are cliche´d or predictable, occasionally they are innovative and audacious, but frequently American horror radio of the 1930s and 1940s presents numerous icons from the broadest spectrum of horror: vampires, werewolves, ghosts, witches, mummies, mad scientists, serial killers, aliens, and monstrous creatures are all brought to life in the listener’s mind through narrative, description, and sound effects.
Q: So, if I understand correctly, even if Haiti no longer has an army . . Fe`ne: No, but we have an army! We have an army! Vaudou is the army! We kill people without batons, without pistols, without riﬂes! . It is inevitable. Vaudou is the only richness that we have. Q: You don’t see any other richness for Haiti? Fe`ne: We have nothing else! Moreover, we occupied the Dominican Republic for a long time, for nineteen years, and now they want to occupy Haiti today in return! But they are afraid of Vaudou.