Download Jeff Smith's Posing Techniques for Location Portrait by Jeff Smith PDF

By Jeff Smith

This finished consultant to situation pictures teaches the fundamentals of excellent head-to-toe posing, interior and out, and exhibits the classical ways used all through photographic background to create a satisfying rendition of the human shape. extra introductory chapters aspect the 4 major posing types and display the best way to confirm so as to paintings most sensible with a topic, their garments, the positioning, and the aim of the portrait. Chapters for complex photographers spotlight the production of a wide selection of person and staff poses-including floor, seated, head-and-shoulders, and standing-to be used in tandem with stairs, rocks, and different architectural and common components. A bankruptcy dedicated to the fundamental company talents had to professionally time table appointments, paintings via consultations, deal with classes, and current and bring ultimate prints can be integrated.

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Extra resources for Jeff Smith's Posing Techniques for Location Portrait Photography

Sample text

B. Child, particularizing this new phase of Spiritual Manifestations. We, also, have had the matter under consideration during the past week, as have hundreds of others in this city. We have been assured for months by our spirit friends that in due time the mundane world would be startled by this new phase of spirit power; but we were not prepared to receive it so soon, and are yet in doubt that the manifestation is entirely legitimate. We shall investigate further ere we give a decided opinion in the matter.

22 It is also important to understand the aims of spirit photography in tandem with other photographic projects made in the name of science and technology in the same period. If one looks at the time–motion studies of E. J. Marey or Eadweard Muybridge, one recognizes that the goal was to use photography in order to see the invisible and to reveal truths that were beyond the powers of the naked eye. As indexed in the citation above, it was also the goal of spirit photography to photograph the invisible.

32 Clearly, Mumler’s energetic and energized description of his wife (as a “perfect battery”) and her own abilities as a medium to summon the spirits, which he was then able to capture on the photographic plate, shares much with the personal powers that were attributed to Andrew Jackson Davis. Another important female figure in Mumler’s life was Mrs. J. H. 33 Conant was a frequent sitter for Mumler, and one of these images shows her with her spirit-guide Vashti, who was said to be an outcast half-breed girl of a white mother and a Native American father.

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