By Susan E. Hamen
Provides opinions of 4 works of the sibling duo, guiding readers in the course of the ideas of severe thought and demonstrating the various views that may be utilized in studying film.
This name explores the inventive works of recognized administrators Ethan and Joel Coen. movies analyzed comprise O Brother, the place paintings Thou?, Fargo, the large Lebowski, and precise Grit. transparent, entire textual content provides heritage biographical details of the Coen brothers. The "You Critique It" characteristic invitations readers to research different inventive works on their lonesome. A desk of contents, timeline, record of works, assets, resource notes, word list, and an index also are included.
The crucial evaluations sequence introduces scholars to the method of serious conception by way of comparing the categorical works of more often than not popular culture creators, therefore the flicks of Joel and Ethan Coen. heavily following the formulation used for the opposite sequence titles, this incorporates a short advent to either serious thought and the way to shape a thesis, a brief examine the historical past of the 2 filmmakers, and long descriptions of 4 Coen brothers’ movies, with an instance of a particular kind of feedback that may be utilized to every, in addition to samples of a thesis assertion and assisting arguments. for instance, features of the motion picture Fargo are seen from the point of view of gender feedback, whereas the large Lebowski is checked out through archetypal feedback. additionally, for every movie there's a sequence of inquiries to extend the research and substitute methods for critiquing the movie. important for stylish budding movie critics and people trying to find clean subject matters to critique. --Randall Enos, Booklist
Read or Download How to Analyze the Films of the Coen Brothers (Essential Critiques) PDF
Similar film books
Bram Stoker's Dracula: Sucking Through the Century, 1897-1997
In 1897, Archibald Constable & corporation released a singular by means of the unheralded Bram Stoker. That novel, Dracula, has long gone directly to develop into probably the main influential novel of all time. To commemorate the centennial of that groovy novel, Carol Margaret Davison has introduced jointly this number of essays via many of the world's major students. The essays examine Stoker's unique novel and have a good time its legacy in pop culture. the ongoing presence of Dracula and vampire fiction and flicks offers facts that, as Davison writes, Dracula is "alive and sucking. "
"Dracula is a Gothic mandala, an enormous layout during which a number of reflections of the weather of the style are configured in stylish units of symmetries. it's also a kind of lens, bringing concentration and compression to different Gothic motifs, together with not just vampirism yet insanity, the evening, spoiled innocence, sickness in nature, sacrilege, cannibalism, necrophilia, psychic projection, the succubus, the incubus, the break, and the tomb. collecting up and unifying all that got here sooner than it, and casting its nice shadow over all that got here and keeps to return after, its impact on twentieth-century Gothic fiction and movie is exclusive and impossible to resist. "
-from the Preface by way of Patrick McGrath
From Amazon: "For Nick James, the pleasures and virtues of this movie are combined and intricate. Its distinct compositions and minimalist type are entangled with a selected type of extravagant bombast. The complexities upload to the curiosity of this formidable movie. " Nick James is the editor of Sight and Sound journal.
The Mystical Gaze of the Cinema: The Films of Peter Weir
Attention-grabbing, enticing and provocative . .. This finely researched learn is a must-read for movie students, movie enthusiasts and a person drawn to the non secular dimensions of pop culture and well known leisure. Barbara Creed, Professor of reveal reviews, Head of the college of tradition and conversation, collage of MelbourneA hugely unique paintings of scholarship .
The British Official Film in South-East Asia: Malaya/Malaysia, Singapore and Hong Kong
This e-book explores the ways that the British professional movie was once utilized in Malaya/Malaysia, Singapore and Hong Kong from 1945 to the Seventies. Aitken uncovers how the British authentic movie, and British reputable info corporations, tailored to the epochal contexts of the chilly warfare and finish of empire. as well as an intensive advent, which touches on a few serious concerns relating to the post-war British professional movie, the ebook presents an account of the way the culture of film-making linked to the British documentary movie move unfold into the area in the course of the post-war interval, and the way that culture was once contested via a ‘Colonial workplace’ culture of film-making.
- The Big Bad Book of Bill Murray: A Critical Appreciation of the World's Finest Actor
- Fellini: The Sixties (Turner Classic Movies)
- Film Studies: The Basics (2nd Edition)
- The Art and Making of ParaNorman
- Hitchcock: The First Forty-Four Films
- Parallel Lines: Post-9/11 American Cinema
Additional resources for How to Analyze the Films of the Coen Brothers (Essential Critiques)
Example text
QRZLQJWKDW DSHUFHQWILQGHU·VIHHZLOOQRWEHJLQWRFRYHUKLV -HUU\KLUHV YLOODLQV*DHDU OHIWDQG&DUOWR NLGQDS-HDQ GHEW-HUU\EHFRPHVGHVSRQGHQW Kidnapping Leads to Murder &DUODQG*DHDUEUHDNLQWR-HUU\DQG-HDQ·V KRPHDQGNLGQDS-HDQ7KH\WDNHKHUQRUWKWRWKH %UDLQHUG0LQQHVRWDDUHD2QWKHZD\WKH\NLOOD VWDWHWURRSHUZKRSXOOVWKHPRYHUDQGWZRWHHQDJH ZLWQHVVHVZKRGULYHSDVWDQGVHHWKHJULVO\VFHQH 6HYHQPRQWKVSUHJQDQW0DUJH*XQGHUVRQ %UDLQHUG·VFKLHIRISROLFHLVDZDNHQHGDQG 3Ya ^Y ,XKVcdO ^RO 1SVW] YP THE COEN BROTHERS VXPPRQHGLQWRZRUNZLWKWKHQHZVRIWKHWULSOH KRPLFLGH+HUKXVEDQG1RUPDZLOGOLIHSDLQWHU JHWVXSZLWKKHULQRUGHUWRPDNHKHUDEUHDNIDVWRI HJJVEHIRUHVKHOHDYHV7KHWZRVHHPKRPH\DQG FRPIRUWDEOHWRJHWKHU 0DUJHDQGDQRWKHUROGHUDPLDEOHRIILFHUQDPHG /RXLQVSHFWWKHVFHQHRIWKHFULPH:KLOH/RX EULQJVKHUFRIIHH0DUJHVRRQGHGXFHVWKHVHULHVRI HYHQWV7KH\JHWDOHDGIURPDKRWHOWKDWUHJLVWHUHG WKH&LHUDDIHZQLJKWVEHIRUHDQGOHDUQIURPWKH IURQWGHVNFOHUNWKDWWKHPHQKDGFRPSDQ\0DUJH WDONVWRWZRSURVWLWXWHVWKHPHQKLUHGZKRUHSRUWWKH VXVSHFWVSODQQHGRQKHDGLQJWRWKH7ZLQ&LWLHV It All Falls Apart 0HDQZKLOH-HUU\PHHWVZLWK:DGHDQG6WDQ +HQHUYRXVO\H[SODLQVWKDW-HDQKDVEHHQNLGQDSSHG DQGWKHNLGQDSSHUVLQVLVWRQGHDOLQJRQO\ZLWKKLP +HFODLPVWKH\ZLOONLOO-HDQLIWKHFRSVEHFRPH LQYROYHG+HDOVRVD\VWKHUDQVRPLVPLOOLRQ LQVWHDGRIWKHWKHNLGQDSSHUVEHOLHYHWKH UDQVRPWREH-HUU\LQWHQGVWRSRFNHWWKHGLIIHUHQFH $V-HUU\EXQJOHVKLVZD\WKURXJKWU\LQJWRJDLQ FRQWURORIWKHGHFLVLRQPDNLQJ:DGHLQVLVWVWKH\ LQYROYHWKHSROLFH)LQDOO\6WDQFRQYLQFHV:DGH AN OVERVIEW OF 1L]RZ WKH\VKRXOGQRWWDNHDQ\FKDQFHVZLWK-HDQ·VOLIH 7KH\DJUHHWRDZDLWIXUWKHULQVWUXFWLRQVIURPWKH NLGQDSSHUV &DUODQG*DHDUWDNH-HDQWRDFDELQRQ 0RRVH/DNHQHDU%UDLQHUG$IWHUVHYHUDOGD\V &DUOVXFFXPEVWRERUHGRPDQGEHJLQVORVLQJKLV SDWLHQFH+HSKRQHV-HUU\DQGWHOOVKLPRIWKH %UDLQHUGPXUGHUVDQGWKDWWKH\QRZZDQWWKHHQWLUH UDQVRP)UXVWUDWHGDQGRQHGJH-HUU\ VWUXJJOHVWRNHHSLWWRJHWKHU 0DUJHGULYHVGRZQWR0LQQHDSROLVWRLQYHVWLJDWH VRPHSKRQHFDOOVPDGHIURPWKHKRWHOOREE\SD\ SKRQHZKHUHWKHVXVSHFWVVWD\HG6KHTXHVWLRQV6KHS DWWKHGHDOHUVKLS6KHWKHQVWRSVLQ-HUU\·VRIILFHWR DVNLID&LHUDZDVVWROHQRIIWKHORW$OWKRXJKKH WHOOVKHUQRKHLVFOHDUO\UDWWOHGE\KHUTXHVWLRQLQJ 7KDWQLJKW&DUOFDOOV-HUU\DQGWHOOVKLPWRPHHW KLPLQPLQXWHVDWDSDUNLQJUDPS+RZHYHU -HUU\·VIDWKHULQODZLQVLVWVRQJRLQJLQVWHDG:KHQ :DGHDUULYHVZLWKDFDVHRIPRQH\&DUOGHPDQGVWR NQRZZKHUH-HUU\LV$QJHUHGZKHQ:DGHUHIXVHVWR JLYHKLPWKHPRQH\ZLWKRXW-HDQLQH[FKDQJH&DUO VKRRWV:DGH:KHQ&DUOUHDFKHVIRUWKHFDVHRI PRQH\:DGHVKRRWVKLPEDGO\JUD]LQJWKHVLGHRI KLVIDFH&DUOUHWDOLDWHVE\NLOOLQJ:DGH 3Ya ^Y ,XKVcdO ^RO 1SVW] YP THE COEN BROTHERS 5HWXUQLQJWRWKH%UDLQHUGDUHD&DUOVWRSVRQWKH URDGDQGILQGVPLOOLRQLQWKHEULHIFDVHLQVWHDGRI 6KRFNHGKHWDNHVRXWDQGEXULHV WKHUHVWLQWKHVQRZDORQJDIHQFHOLQHVHHPLQJO\WR UHWXUQODWHUWRSURFXUHLWDOOIRUKLPVHOI 7KHQH[WGD\LQ0LQQHDSROLV0DUJHDJDLQ LQTXLUHVZLWK-HUU\DERXWWKHVWROHQ&LHUD+H EHFRPHVEHOOLJHUHQWQRWZDQWLQJWRDQVZHUKHU TXHVWLRQV´6LU\RXKDYHQRFDOOWRJHWVQLSS\ZLWK PHµVKHWHOOVKLP+XIILO\KHWHOOVKHUKHZLOOGR DORWFRXQWLPPHGLDWHO\VRKHSXWVRQKLVFRDWDQG VWRPSVRXWVLGH:DLWLQJLQKLVRIILFH0DUJHVHHV -HUU\SXOORXWRIWKHGHDOHUVKLSIOHHLQJWKHLQWHUYLHZ 0HDQZKLOH&DUOUHWXUQVWRWKHFDELQDQGILQGV *DHDUHDWLQJLQIURQWRIWKHWHOHYLVLRQDQG-HDQ GHDGRQWKHIORRU&DUOJLYHV*DHDUKLVKDOIRIWKH DQGWKHNH\VWRKLVWUXFN+HSODQVRQ WDNLQJWKH&LHUD+RZHYHU*DHDULQVLVWVRQEHLQJ FRPSHQVDWHGIRUKDOIRIWKHFDU·VYDOXH(QUDJHG &DUOSRLQWVRXWWKDWKHZDVWKHRQHZKRUHWULHYHG WKHPRQH\DQGZDVVKRWLQWKHIDFHGRLQJVR$V &DUOOHDYHVWKHFDELQ*DHDUIROORZVKLPDWWDFNLQJ DQGNLOOLQJKLPZLWKDQD[H %HIRUHUHWXUQLQJWRWKHSROLFHVWDWLRQ0DUJH WDNHVDGULYHDURXQG0RRVH/DNHDQGVSRWVWKH !
ODQ,WLVKHUHZKHUHKHPHHWVKLV GHPLVHWDNHQGRZQE\DFURVV%LJ'DQ·VLPPRUDO OLIHRIJUHHGDQGYLROHQFHOHDGVKLPWRKLVGHDWK 7KHPHQDUH WHPSWHGE\ ZRPHQEDWKLQJLQ WKHULYHUWHVWLQJ WKHLUEDSWLVPDO SOHGJHRI PRUDOLW\ 8SRQEHLQJEDSWL]HG3HWHDQG'HOPDUFKRRVH WRWXUQIURPOLYHVRIFULPHDQGHOHFWWRZDONWKH VWUDLJKWDQGQDUURZKHQFHIRUWK 7KLVSODQODVWVXQWLOWKH\UXQ LQWRWKHVLUHQV3HWH·VHYHQWXDO LPPRUDOLW\LVTXLFNO\DQVZHUHG ZLWKFRQGHPQDWLRQ3HWH Argument Three 7KHDXWKRUDGGUHVVHV3HWH·V LPPRUDOLW\ ´3HWH·VHYHQWXDO LPPRUDOLW\LVTXLFNO\DQVZHUHG ZLWKFRQGHPQDWLRQµ 3Ya ^Y ,XKVcdO ^RO 1SVW] YP THE COEN BROTHERS VXFFXPEVWRWKHWHPSWDWLRQVRIWKHVLUHQVDQGLV EHOLHYHGWREHWXUQHGLQWRDWRDGDVDSXQLVKPHQW IRUKDYLQJVH[RXWRIZHGORFN´:D\,VHHLWKH JRWZKDWKHGHVHUYHGIRUQLFDWLQJZLWKVRPHZKRUH RI%DE\ORQµ(YHUHWWVWDWHV ´7KHVHWKLQJVGRQ·W KDSSHQIRUQRUHDVRQ,W·VREYLRXVO\VRPHNLQGD MXGJPHQWRQKLVFKDUDFWHUµ$OWKRXJKWKH\ODWHU GLVFRYHU3HWHKDVQRWEHHQWXUQHGLQWRDWRDGVH[ DQGOLTXRUGRODQGKLPEDFNLQSULVRQZKLSSHG DQGQHDUO\KDQJHG3URPLVFXLW\RUFDVXDOVH[LVD FRPPRQVLQRILPPRUDOLW\DQGQHDUO\FDXVHV3HWH·V GHPLVH 5LIHZLWKELEOLFDOSDUDOOHOV Conclusion ,QWKHILQDOSDUDJUDSKWKH DXWKRUUHLWHUDWHVKHUWKHVLV DQGVXPVXSKHUDUJXPHQWV WKDWVXSSRUWLW IURP:DVKEHWUD\LQJ3HWHWRWKH DXWKRULWLHVIRUPRQH\ -XGDV FROOHFWLQJKLVVLOYHUSLHFHVIRU EHWUD\LQJ-HVXV WRDQDOPLJKW\ IORRGZDVKLQJDZD\HYLOIURP WKHODQG RULQWKLVFDVHWKHGHYLOLVKODZPDQ 6KHULII&RROH\ 2%URWKHU:KHUH$UW7KRX"LVD GHPRQVWUDWLYHSLHFHUHJDUGLQJWKHSHULOVRIVLQIXO OLYHV7KHPHQZKRVXUYLYHLQWKHHQGDUHWKHRQHV ZKRUHDOL]HWKHHUURULQWKHLUZD\VUHSHQWDQGDVN IRUIRUJLYHQHVV !
ODQ,WLVKHUHZKHUHKHPHHWVKLV GHPLVHWDNHQGRZQE\DFURVV%LJ'DQ·VLPPRUDO OLIHRIJUHHGDQGYLROHQFHOHDGVKLPWRKLVGHDWK 7KHPHQDUH WHPSWHGE\ ZRPHQEDWKLQJLQ WKHULYHUWHVWLQJ WKHLUEDSWLVPDO SOHGJHRI PRUDOLW\ 8SRQEHLQJEDSWL]HG3HWHDQG'HOPDUFKRRVH WRWXUQIURPOLYHVRIFULPHDQGHOHFWWRZDONWKH VWUDLJKWDQGQDUURZKHQFHIRUWK 7KLVSODQODVWVXQWLOWKH\UXQ LQWRWKHVLUHQV3HWH·VHYHQWXDO LPPRUDOLW\LVTXLFNO\DQVZHUHG ZLWKFRQGHPQDWLRQ3HWH Argument Three 7KHDXWKRUDGGUHVVHV3HWH·V LPPRUDOLW\ ´3HWH·VHYHQWXDO LPPRUDOLW\LVTXLFNO\DQVZHUHG ZLWKFRQGHPQDWLRQµ 3Ya ^Y ,XKVcdO ^RO 1SVW] YP THE COEN BROTHERS VXFFXPEVWRWKHWHPSWDWLRQVRIWKHVLUHQVDQGLV EHOLHYHGWREHWXUQHGLQWRDWRDGDVDSXQLVKPHQW IRUKDYLQJVH[RXWRIZHGORFN´:D\,VHHLWKH JRWZKDWKHGHVHUYHGIRUQLFDWLQJZLWKVRPHZKRUH RI%DE\ORQµ(YHUHWWVWDWHV ´7KHVHWKLQJVGRQ·W KDSSHQIRUQRUHDVRQ,W·VREYLRXVO\VRPHNLQGD MXGJPHQWRQKLVFKDUDFWHUµ$OWKRXJKWKH\ODWHU GLVFRYHU3HWHKDVQRWEHHQWXUQHGLQWRDWRDGVH[ DQGOLTXRUGRODQGKLPEDFNLQSULVRQZKLSSHG DQGQHDUO\KDQJHG3URPLVFXLW\RUFDVXDOVH[LVD FRPPRQVLQRILPPRUDOLW\DQGQHDUO\FDXVHV3HWH·V GHPLVH 5LIHZLWKELEOLFDOSDUDOOHOV Conclusion ,QWKHILQDOSDUDJUDSKWKH DXWKRUUHLWHUDWHVKHUWKHVLV DQGVXPVXSKHUDUJXPHQWV WKDWVXSSRUWLW IURP:DVKEHWUD\LQJ3HWHWRWKH DXWKRULWLHVIRUPRQH\ -XGDV FROOHFWLQJKLVVLOYHUSLHFHVIRU EHWUD\LQJ-HVXV WRDQDOPLJKW\ IORRGZDVKLQJDZD\HYLOIURP WKHODQG RULQWKLVFDVHWKHGHYLOLVKODZPDQ 6KHULII&RROH\ 2%URWKHU:KHUH$UW7KRX"LVD GHPRQVWUDWLYHSLHFHUHJDUGLQJWKHSHULOVRIVLQIXO OLYHV7KHPHQZKRVXUYLYHLQWKHHQGDUHWKHRQHV ZKRUHDOL]HWKHHUURULQWKHLUZD\VUHSHQWDQGDVN IRUIRUJLYHQHVV !