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Additional resources for Underwater Photography (August/September 2003)

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However, as conditions are generally much clearer and brighter you have to watch the exposure differential across the frame when you include the sun in the background exposure. Using a boat on the surface can help to block most of the direct sunlight. Nikon F801, Subal housing, 60mm micro and 16mm fish eye, Sea & Sea YS50, Fujichrome Velvia, f16 @ 1/250 and f8 @ 1/125. perhaps I should recap on just how a double exposure is achieved using a film camera. In essence you will be running the same film through your camera twice (or more) and selectively exposing an area of the film frame each time.

As it turns out, we came across a lot of big stuff, which would’ve been absolutely terrific, if not for one minor issue: temporal displacement. I kid you not. you name it. The one minor problem, of course, was that all the sightings were during the past week or two. Aiyah. One helpful fishermen, trying desperately to assist, told me that a whaleshark had’“hung out” near his Fish Hut for at least two weeks. He mistook the pained expression on my face for heat exhaustion, and kindly suggested I go for a quick swim to cool off.

Forgetting that I was on a small boat, I jumped up to get a better look and nearly fell out (lucky the extra guys were around to grab me). The powerful tuna hit the water with an enormous splash and plunged into the abyss. ”. The boat slowed. Anceng started to pull the tuna in. Anyone who’s ever tried to pull even a small fish in with their bare hands will know how difficult it is. This sucker was well over forty kilograms but it didn’t seem to bother Anceng at all. Within a few minutes, the fish was in the boat.

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