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By Augusta Rohrbach

Augusta Rohrbach broadens our knowing of the yankee literary culture through exhibiting how African American literature and tradition drastically motivated the improvement of realism. Rohrbach lines the affects of the slave narratives—such because the use of authenticating information, in addition to dialect, and a frank therapy of the human body—in writings through Howells, Wharton, and others, and explores questions about the transferring dating among literature and tradition within the US from 1830-1930. starting with the query, “How may perhaps slave narratives—heralded because the first indigenous literature by means of Theodore Parker—have stimulated the advance of yank Literature?” Rohrbach develops connections among an rising literary market, the increase of the pro author, and literary realism.

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Many slave narratives saw multiple editions while the works we now consider canonical barely sold at all. We can gauge their popularity by comparing the publication history of a slave narrative and a work by a canonized author as Frances Smith Foster has done in comparing Josiah Henson’s 1849 narrative with Thoreau’s Week on the Concord and Merrimack Rivers published in the same year. ”43 Statistics like these prompt the question: How might have the popularity of slave narratives impacted the developing field of American authorship?

1057/9780230107267 - Truth Stranger Than Fiction, Augusta Rohrbach 21 The degree of actual persuasion is still minimal, especially when compared to a similar ad printed the following year in January 1855. Once again, John P. Jewett and Company offers a selection of books for sale. ” As with the books advertised in the previous example, these books are not only new, they are—or will be—hot off the press. And, in addition to the use of various fonts and print sizes, this time the publisher also includes the price of each volume as well as a short promotional paragraph detailing the special qualities of the books.

It was also in Hayden’s house that the Crafts were formally married by the Reverend Theodore Parker. 7 Advertisement from The Liberator, 21 April 1853. Photographed by John Seigfried; image used by permission of Mudd Library, Oberlin College. Most of the copy is devoted to Hayden as a merchant in his primary capacity of selling things. ” In the ad printed in 1854 (below) the mention of slavery has dropped out all together. 8 Advertisement from The Liberator, 5 Jan 1855. Photographed by John Seigfried; image used by permission of Mudd Library, Oberlin College.

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