By Charlotte Richardson
Are you searching for a clean, new angle to portrait images? FEARLESS PHOTOGRAPHER: pics indicates photographers how you can use either their apparatus and their humans talents to provide provocative and insightful images of daily humans via examples throughout various genres. You'll detect tips to set your self aside in a aggressive utilizing new ideas and concepts for lovely photos of matters younger to outdated, pets to undefined, and the way to trap amazing photographs of normal humans. jam-packed with beautiful full-color and black-and-white photos from real portrait shoots, during this publication you'll locate either sensible how-to suggestion and artistic notion that will help you turn into a greater portrait photographer.
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Extra info for Fearless Photographer: Portraits
Example text
Just be prepared for the massive cleanup afterward! (Left) The shoot in action, from the side. (Facing page) The final image. 4 lens • Two exercise trampolines • Hensel Tria 3000 AS • Three feather pillows and white bed sheets • Calumet 8-foot parabolic umbrella Photoshop Modifications to Final Image • Used three photos to make one. • Dropped in baby using the Refine Edge tool. • Added feathers to the bare spots. • Combined the best action shots of the older girls using layers. 22 CHAPTER 2 This page intentionally left blank “L ife is pretty simple: you do some stuff.
It’s important not to lose your ambient light, so make sure your strobe is perfect and choose a nice, slow shutter speed to bring in the sunset and detail in the ocean. Here’s a useful factoid: The sun goes down approximately every three minutes by its own diameter. In layman’s terms, it’s fast! I wanted a different feel for the sunset shot—a little more high glamour with a fashion feel. The beach was more high energy, and the light was clean and bright. I moved the softbox around to create great shadow details, slightly off center.
Sometimes it’s a scrim or flag to block the light; sometimes it’s a “cookie” to make the light look like trees or a window or even a logo projected on a wall. The idea is that if you need to modify the light falling on a subject, you use a gobo. Using the translucent panel to shade Olivia. Using the softbox as a gobo to shade Olivia’s eyes from the sun to prevent squinting. Preteens: Olivia and the Beach 29 FEARLESS PHOTOGRAPHER | PORTRAITS NOFEAR Be sure to talk to your subject for the entire shoot.