A spouse to modern French Cinema offers a finished selection of unique essays addressing all features of French cinema from 1990 to the current day.
• beneficial properties unique contributions from most sensible movie students on the subject of all facets of latest French cinema
• contains new study on concerns in relation to the political economic system of up to date French cinema, advancements in cinema coverage, viewers attendance, and the kinds, construction, and protection of theaters
• makes use of groundbreaking learn on cinema past the fiction movie and the cinema-theater similar to documentary, beginner, and electronic filmmaking
• includes an surprisingly huge diversity of methodological techniques and views, together with these of style, gender, auteur, undefined, financial, famous person, postcolonial and psychoanalytic studies
• contains essays by means of vital French cinema students from France, the united states, and New Zealand, lots of whose paintings is the following provided in English for the 1st time
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Additional info for A Companion to Contemporary French Cinema
4 Ibid. 5 I acknowledge my debt to Laurent Creton for his insights on these matters. com/ greenlighting-movies-tentpole-era-numbers-game, accessed April 28, 2014. 7 A. O. com/2013/12/01/magazine/the-big-picture-strikes-back. _r=0, accessed April 28, 2014. 8 I would like to thank Michel Marie for drawing attention to this input from French production companies. 9 See, in particular, Jean-Michel Frodon, L’ Âge moderne du cinéma français: de la Nouvelle Vague à nos jours (Paris: Flammarion, 1995), René Prédal, Le Cinéma français des années 1990: une génération de transition (Paris: Armand Colin, 2008); René Prédal, Le Cinéma français depuis 2000: un renouvellement incessant (Paris: Armand Colin, 2008); and Tim Palmer, Brutal Intimacy: Analyzing Contemporary French Cinema (Middletown, CT: Wesleyan University Press, 2011).
Also focusing on the heritage film, Gwénaëlle Le Gras in Chapter 14 demonstrates how the French passion for history and the country’s cultural legacy has enabled stars to exploit the heritage film, because of its association of spectacle with identity, as a means of flourishing in a highly competitive industry. Political Cinema and the Legacy of France’s Postcolonial Past Many of the concerns addressed by political cinema arise from the consequences of French colonialism, both in the former colonies and also the former métropole, France itself.
These new experiences do not take place in a cinematic dispositif in the proper and usual sense of the word, which, although it presents variants in terms of different periods and countries, has nevertheless remained essentially stable. In spite of contemporary transformations, cinema remains marked by the unique power of taking place in an elsewhere, with an invitation offered to the spectator to adopt another type of gaze. Beyond the typical technical attributes relating to the image, sound, and comfort, a theater is characterized by the ritual of the screening session as an interlude in time and space, within which receptiveness is a given, a special kind of attention being devoted to the film.