By Roger Hicks, Frances Schultz
This authoritative and easy-to-follow consultant offers an intensive grounding in generating studio photographs which are either technically efficient and aesthetically entertaining. After a finished survey of studio gear and lights suggestions, the authors learn the total variety of studio matters, from graphics and nudes to nonetheless lifes and macro paintings.
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Additional resources for The Photographers Guide to the Studio
This time I had much more success. A small ﬂy landed on the damselﬂy, causing it to suddenly ﬂick its wings to remove it. The movement was quicker than a blink of an eye, but the frame-byframe footage revealed four images showing just how the wings moved and bent slightly when ﬂicked. A few seconds later and the same ﬂy returned, but this time the damselﬂy leapt into ﬂight to try to eat it. The ﬂy got away, but I had around a half of a second of footage of the action – 12 frames showing the very intricate movement of the ﬂight of the damselﬂy (see above).
2, ISO 200 THIS really is a handsome chap, with a ﬁne set of antlers and posing very nicely for the camera. I’m a big fan of silhouettes, as they can demonstrate graphic shape and help us appreciate the lines we see every day but fail to recognise since we are usually distracted by detail. For a silhouette to work, though, we need a clear contrast between the subject and its background. In Alan’s photograph, the ears and the base of the stag’s antlers stand out well because their background is quite light, but the action end of the antlers blends into the treeline, and the stag’s body is rather too much the same tone as the shaded grasses behind it.
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