By Ted Striphas
Ted Striphas argues that, even though the creation and propagation of books have certainly entered a brand new section, revealed works are nonetheless a great deal part of our daily lives. With examples from alternate journals, information media, motion pictures, ads, and a number of alternative advertisement and scholarly fabrics, Striphas tells a narrative of contemporary publishing that proves, even in a speedily digitizing global, books are something yet useless.
From the increase of retail superstores to Oprah's extra special achieve, Striphas tracks the tools in which the publication has tailored (or has did not adapt) to quick alterations in twentieth-century print tradition. Barnes & Noble, Borders, and Amazon.com have demonstrated new routes of site visitors in and round books, and dad sensations like Harry Potter and the Oprah e-book membership have encouraged the type of model loyalty that can merely make advertisers swoon. while, advances in electronic expertise have awarded the e-book with awesome threats and precise possibilities.
Striphas's provocative research bargains a counternarrative to those that both triumphantly claim the top of published books or deeply mourn their passing. With wit and outstanding perception, he isolates the invisible strategies by which books have come to mediate our social interactions and impression our conduct of intake, integrating themselves into our workouts and intellects like by no means before.
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Additional info for The Late Age of Print: Everyday Book Culture from Consumerism to Control
46 Coupled with the explosion of dime novels, inexpensive romances, and cheap reprint series, around the middle of the nineteenth century a truly mass book industry began to emerge in the United States. 47 From a legal standpoint, weak international copyright protections, coupled with innumerable acts of publishing piracy, made possible the mass ownership of printed books in the United States. 48 Yet this praxis wouldn’t achieve its fullest 32 | CHAPTER 1 expression until the first half of the twentieth century, crystallizing in the built-in-bookshelves campaigns of the 1920s and 1930s.
56 Led by Alfred A. ; and other major publishing firms of the time again turned to Edward L. Bernays in the hopes of fighting the “dollar books” campaign with public relations. S. book industry. C. Grey (of the New York Sun). ” The winner? “Book sneak,” entered by Paul W. ”61 Nevertheless, both the contest and the term remain significant historically. They illustrate how, by the early 1930s, the proliferation/circulation of mass-produced printed books among consumers could be viewed as a problem by cultural producers and intermediaries—even, apparently, by schoolteachers!
Despite its failure, the movement to establish a public lending right may be significant when considered alongside the book industry’s response to the pass-along book trade. Both articulated a growing anxiety over the circulation of printed books following their initial sale. Taken together, the litigation challenging the unrestricted photocopying of copyrighted books, publishers’ fears about the pass-along book trade, and the movement to establish a public lending right in the United States signaled a shift in attitude toward the economic and cultural value of printed books and other mass-produced commodities.