By Brian Fagan
Animals, and our ever-changing courting with them, have left an indelible mark on human background. From the sunrise of our life, animals and people were continually redefining their dating with each other, and full civilizations have risen and fallen upon this curious bond we proportion with our fellow fauna. Brian Fagan unfolds this interesting tale from the 1st wolf who wandered into our prehistoric ancestors' camp and located companionship, to empires outfitted at the backs of horses, donkeys, and camels, to the economic age whilst a few animals grew to become commodities, usually brutally exploited, and others turned pets, nurtured and pampered, occasionally to absurd extremes.
Through an in-depth research of six actually transformative human-animal relationships, Fagan indicates how our behavior and our very lifestyle have been significantly and irreversibly altered via our intimate bond with animals. between different tales, Fagan explores how herding replaced human habit; how the standard donkey helped release the method of globalization; and the way the pony carried a hearty band of nomads the world over and toppled the emperor of China.
With attribute care and penetrating perception, Fagan finds the profound effect that animals have exercised on human historical past and the way, in truth, they generally drove it.
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Extra resources for The Intimate Bond: How Animals Shaped Human History
Example text
Effortlessly, I slipped into a state of grace in which I felt honored by a magical being that had previously only inhabited the mythical world of my Birds of America. At the same time, I was completely at ease and had a sense that the wilderness was my true home. I have no idea how long the sighting lasted because the Indigo preexisted in my imagination and perches there to this day in my memory. What sent me forth on the quest for this particular bird? Why did the Indigo Bunting become my personal holy grail?
Her letters were lavishly illustrated. A cardinal or a goldfinch perched on a bush appeared in the place of a return address. The head of a warblerlike bird with a blue eye surrounded by a black patch occupied the middle of a page with a request. “Please tell me what this bird is. I have never seen a picture of it. This is a memory drawing, so I know it is not very accurate. ” On one of the rare typewritten letters, a pale pink flamingo, as faint as a watermark, stands on one foot. In another letter, one page has been cut and folded so that “a new type of Spoonbill discovered in the imagination of an art teacher” pops out when it is opened.
Because she was different and lovely, parents who valued propriety above vitality were suspicious of her. Why was a young, attractive, unmarried woman playing with children? Because I had visions of becoming an illustrator of bird books, I enrolled in Miss Beach’s after-school art class. My first project was to draw a cardinal sitting on a bare twig. In real time, the time in which objectively identifiable events happen, a cardinal is a frequently occurring phenom-enon, a superbird that zooms through the air like a flash of lightning and lands on the highest perch in the area.