Download The Hollywood Film Music Reader by Mervyn Cooke PDF

By Mervyn Cooke

A wealthy and informative examine the studies of composers operating lower than excessive strain within the US movie undefined, The Hollywood movie song Reader brings readers from film's earliest days to the fashionable blockbuster period. starting with the origins of motion picture song within the heyday of silent movie, the publication lines movie music's growth via Hollywood's so-called Golden Age to adjustments in musical kinds and dealing practices from the Sixties to the current. additionally integrated are bright first-hand money owed from composers akin to George Antheil, Elmer Bernstein, Aaron Copland, Adolph Deutsch, Jerry Goldsmith, Bernard Herrmann, Henry Mancini, Thomas Newman, André Previn, David Raksin, Miklós Rózsa, Max Steiner, Dimitri Tiomkin, Franz Waxman, and John Williams, besides stories from composers operating in animation and documentary movie. The e-book concludes with a bit of feedback and remark, together with an essay on movie tune by means of Sidney Lumet and Igor Stravinsky's provocative perspectives at the topic.

Show description

Read Online or Download The Hollywood Film Music Reader PDF

Best film books

Bram Stoker's Dracula: Sucking Through the Century, 1897-1997

In 1897, Archibald Constable & corporation released a singular by means of the unheralded Bram Stoker. That novel, Dracula, has long past directly to turn into probably the main influential novel of all time. To commemorate the centennial of that groovy novel, Carol Margaret Davison has introduced jointly this choice of essays by means of a few of the world's prime students. The essays study Stoker's unique novel and rejoice its legacy in pop culture. the continued presence of Dracula and vampire fiction and movies presents evidence that, as Davison writes, Dracula is "alive and sucking. "

"Dracula is a Gothic mandala, an unlimited layout within which a number of reflections of the weather of the style are configured in based units of symmetries. it's also a kind of lens, bringing concentration and compression to various Gothic motifs, together with not just vampirism yet insanity, the evening, spoiled innocence, ailment in nature, sacrilege, cannibalism, necrophilia, psychic projection, the succubus, the incubus, the spoil, and the tomb. amassing up and unifying all that got here sooner than it, and casting its nice shadow over all that got here and maintains to return after, its impact on twentieth-century Gothic fiction and movie is exclusive and impossible to resist. "

-from the Preface through Patrick McGrath

Heat (BFI Modern Classics)

From Amazon: "For Nick James, the pleasures and virtues of this movie are combined and intricate. Its specified compositions and minimalist variety are entangled with a specific type of extravagant bombast. The complexities upload to the curiosity of this bold movie. " Nick James is the editor of Sight and Sound journal.

The Mystical Gaze of the Cinema: The Films of Peter Weir

Attention-grabbing, attractive and provocative . .. This finely researched learn is a must-read for movie students, movie fanatics and someone attracted to the non secular dimensions of pop culture and well known leisure. Barbara Creed, Professor of reveal stories, Head of the varsity of tradition and communique, collage of MelbourneA hugely unique paintings of scholarship .

The British Official Film in South-East Asia: Malaya/Malaysia, Singapore and Hong Kong

This e-book explores the ways that the British professional movie used to be utilized in Malaya/Malaysia, Singapore and Hong Kong from 1945 to the Nineteen Seventies. Aitken uncovers how the British professional movie, and British legitimate details enterprises, tailored to the epochal contexts of the chilly struggle and finish of empire. as well as an in depth advent, which touches on a couple of serious concerns relating to the post-war British professional movie, the publication presents an account of ways the culture of film-making linked to the British documentary movie circulation unfold into the sector in the course of the post-war interval, and the way that culture was once contested by way of a ‘Colonial workplace’ culture of film-making.

Additional resources for The Hollywood Film Music Reader

Example text

CARTER: I don’t remember any automatic in Los Angeles. Now in Wichita, where I was, they had the Fotoplayers there. They would have two slots where you would put in piano rolls, and so you could put one in here and run it for a little while and then put one in here, and when you wanted to change the scene you’d bring in the second one. And they’d go back and forth, so you could score that way. A. doing it. , would you say that in general throughout the country there would be considerable use of this or .

CARTER: Well, Forbstein had a scorer—we also called him a synchronizer— and usually the score that we did there was his compilation. P. LanFranchi was his name. He was a very nice little Italian guy who liked to use a lot of Verdi and Puccini in his scores. BEHLMER: How did he function, exactly? CARTER: He had to get the music together and see that it fit, make proper cuts and arrange for the segues and do it so that when the orchestra got a hold of it, it all made sense. BEHLMER: And, usually, the big theaters would all have their own synchronizer?

There is a good aesthetic reason for stopping the music on such occasions, but the precise method to be SABANEEV: MUSIC FOR THE FILMS 45 adopted is one of the most difficult problems of the sound cinema. Music has its inertia; it forms a certain background in the subconsciousness of the listening spectator, and its sudden cessation gives rise to a feeling of aesthetic perplexity, even though the music be kept entirely in the background. The substitution of dialogue and noises for music, on the contrary, does not cause perplexity.

Download PDF sample

Rated 4.48 of 5 – based on 22 votes
This entry was posted in Film.