By Peter Tonguette
Initially arriving in Hollywood to pursue an performing profession, James Bridges went directly to write and direct such well known motion pictures because the Paper Chase, The China Syndrome and concrete Cowboy. This e-book tells the tale of his lifestyles and occupation, helped via new interviews with buddies and collaborators; it additionally bargains a close research of every of Bridges' 8 characteristic movies, together with his lesser-known cult classics September 30, 1955 and Mike's homicide.
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Extra info for The Films of James Bridges
It was largely James Bridges, who’s an old friend, who insisted that we could. ”2 It turned out that it was possible, though the backstory of how the play came to be was more complicated than Isherwood let on. Jack Larson remembered, Chris, as with John Houseman, was a mentor. He was an extraordinarily great man, whatever his reputation is now. I think posthumously his reputation will eventually go to the heights it deserves again…. Chris wanted very much … for Jim to do a ﬁlm of his novel, A Meeting by the River.
We go to make our entrance and I hear dialogue that we don’t recognize. ’ And it was an open set so you saw us coming down a hall into the apartment ﬂat. We turned around and walked off-stage because we felt we were going to enter at the wrong time, when in fact somebody either went up on lines or … the play was in iambic pentameter. So, like Shakespeare, you can’t ad-lib this. Well, Gayla and Vickie Rue [as Rosella] were ad-libbing because they went up on lines and we were late. It was just a disaster.
He was so likable. 41 So did his star. “There’s something about the big soundstage that makes you feel like you’re making a movie,” Hershey said. “It gives you shivers. That I always kind of like. The smell of it and walking out into that bright sunlight after you’ve been inside. But in terms of reality and not having to imagine and the stimulation of change — different environments — there’s nothing like real locations. I always ﬁnd them really great. ”42 Rosher recalled, “When we location scouted on the ﬁlm, he knew exactly what he wanted and where he wanted to shoot the stuff.