By Henry Bacon
The Fascination of movie Violence is a research of why fictional violence is such a vital part of fiction movie. How can anything dreadful be a resource of paintings and leisure? factors are sought from the best way social and cultural norms and practices have formed biologically conditioned violence comparable qualities in human habit.
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Extra info for The Fascination of Film Violence
This narrative pattern is typically American in that it is difficult to think of another film culture which would have produced even in proportional terms so many films on this theme, yet the appeal is universal. On the level of culture the vigilante theme has its roots in the American idealization of individualism on the one hand, in the strong doubts about governmental institutions on the other. 66 However, alongside with the idealization of individualism there has always been the equal idealization of communality, entailing the accepting of institutionalized law enforcement as the proper way of solving conflicts.
In the film industry, this almost involuntary fascination has been exploited right from the beginning. Execution scenes are in a class of their own. They have a ritualistic quality which gives the punishment its own awesome The Biocultural Evolution of Representing Violence 35 aura. Irrespective of whether the convicted person is guilty or innocent, he is helplessly being taken towards the fate which we all have to face sooner or later. But his final moment has been determined, and it is only moments away.
But I might also wonder whether I myself would in some situation, in some extreme state of mind, commit a violent act, hit, beat or even murder someone. The question might arise in exploring the motives and background of a perpetrator of such acts and can go either or both of two ways. I may recognize similar traits in myself, imagine myself losing control and ending up doing acts that I actually deplore. Alternatively, I might vehemently deny the possibility of ever doing anything that might seriously hurt another person thus firmly projecting the evil into social and psychological otherness.