Download The Digital Photography Book, Part 4 by Scott Kelby PDF

By Scott Kelby

Scott Kelby, writer of The electronic images Book (the best-selling electronic images publication of all time), is again with one other follow-up to his ruin best-seller, with a wholly new booklet that choices up correct the place quantity three left off. It's much more of that "Ah ha, so that' s how they do it," straight-to-the-point, skip-the-techno-jargon stuff humans can fairly use at the present time, and that made quantity 1 the world's best-selling e-book on electronic photography.

This booklet really has a super premise, and here's how Scott describes it: "If you and that i have been out on a shoot and also you requested me, 'Hey Scott, i would like the sunshine for this portrait to seem fairly smooth and flattering. How some distance again should still I placed this softbox?' I wouldn't offer you a lecture approximately lighting fixtures ratios, or flash modifiers. In actual existence, I'd simply flip to you and say, 'Move it in as with reference to your topic as you will, with out it really exhibiting up within the shot.' good, that's what this ebook is all approximately: you and that i out capturing the place I resolution questions, provide you with suggestion, and percentage the secrets and techniques I've realized, similar to i'd with a friend--without the entire technical motives and techie picture speak."

Each web page covers a unmarried suggestion on the right way to make your images greater. whenever you switch the web page, you'll study one other seasoned environment, software, or trick to remodel your paintings from snapshots into gallery prints. If you're uninterested in taking pictures that glance "okay," and if you're uninterested in having a look in images magazines and considering, "Why don't my pictures appear like that?" then this can be the publication for you.

This isn't a booklet of thought, jam-packed with complicated jargon and designated strategies. this can be a publication on which button to push, which atmosphere to exploit, and while to exploit it. With one other two hundred of the main heavily guarded photographic "tricks of the trade," this e-book will get you taking pictures dramatically better-looking, sharper, extra colourful, extra professional-looking pictures whenever.

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Extra resources for The Digital Photography Book, Part 4

Sample text

Hmmmm…I dunno, these seem pretty normal to me. But let’s try one more just to be sure. Declaration of Independence. ” Yup, you’re fine. Now tell me about your mother…. [ 39 ] Chapter 3 The Digital Photography Book The Pro Trick for Creating Falloff As you probably learned in one of the other books in this series, the human eye is drawn to the brightest thing in the image, and in portraits of people, the brightest thing should generally be their face, right? The problem is that your softbox doesn’t know that, and it will light their face, shoulders, chest, stomach, and so on, all with pretty much the same brightness.

He tells them: “When you think you need two lights, use one light. If you think you need three lights, use one light. ” He makes a really great point—if you can use just one light, chances are it’s really all you need. The more lights you add, the more complicated things get, the longer it takes, and the more problems and challenges arise. [ 44 ] More Tips on Using Your Studio Like a Pro Rim-Light Profile Silhouettes Made Easy This is one of those super-quick, 30-second tricks that have a big impact.

By the way, today’s higher-end lenses often have a special nanocoating on them designed to eliminate lens flare, so if you’re struggling to get this look, try using one of your older lenses and that should do the trick. [ 42 ] More Tips on Using Your Studio Like a Pro How Far Should Your Subject Be from the Background? As a general rule, I try to put my subject about 8 to 10 feet from the background (unless I'm using my main light to light the background). Here’s why: by keeping them far away from the background, you avoid your front light spilling onto the background.

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