By Martin Foster, Clive France
For fifty years samurai video clips have wowed the japanese - and the area - with gory sword fights and tear-jerking stories of honor and sacrifice. From Kurosawa's Seven Samurai to anime's Samurai X, this first-ever choice of unique samurai motion picture artwork will pay tribute to a cinematic style that's really eastern. Silver monitor Samurai is a must have for samurai lovers, movie-buffs and fans of poster artwork!
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Additional info for Silver Screen Samurai: The Best of Japan's Samurai Movie Posters
92 Including a vertical harmonic unity, these techniques are fundamental in a dialectical approach to form. There was another way in which the form of a fugue would be useful in the sound film. Eisenstein mentions that one of J. S. Bach’s main points in his own teaching of fugue was the equal role of parts in the texture of the counterpoint – these were like voices of living people. 93 This approach provides an aspect of fugue which relates it to drama, thereby appealing to the humanistic and socially-conscious aspects of Eisenstein’s work in cinema.
He found that the music of J. S. Bach was a great help in this respect. 25 In the attempt to find some sort of equilibrium in the forms he used in his drawings, Richter’s passion for music led him to the idea of meeting with the Italian German composer Ferruccio Busoni. Also living in Zürich, Busoni was famous as a piano virtuoso, conductor, composer, and specialist in the music of J. S. Bach. In the evenings he would hold court by a fountain outside Zürich railway station. Richter sought his advice about how he could obtain a sense of equilibrium and counter-equilibrium between the black ink marks and the white paper in his drawings, a difficulty he believed was analogous to a musical problem.
He used techniques derived from music to control what he called ‘the heap of fragments inherited from the Cubists’. ’ He found that the music of J. S. Bach was a great help in this respect. 25 In the attempt to find some sort of equilibrium in the forms he used in his drawings, Richter’s passion for music led him to the idea of meeting with the Italian German composer Ferruccio Busoni. Also living in Zürich, Busoni was famous as a piano virtuoso, conductor, composer, and specialist in the music of J.