Download Shakespeare in the Undiscovered Bourn: Les Kurbas, Ukrainian by Irena Makaryk PDF

By Irena Makaryk

Les Kurbas - director, actor, playwright, filmmaker, and translator - used to be the 1st artist to introduce Shakespeare to the Ukrainian degree. developing the principles of Soviet Ukrainian theatre and cinema, he was once additionally answerable for its avant-garde course. Shakespeare within the Undiscovered Bourn is the 1st book-length research in English of Kurbas's modernist productions of Shakespeare and the 1st publication on Soviet Shakespeare productions in Ukraine in any language.

Situating Shakespeare in the ideological and cultural debates and conflicts of the early Soviet interval, Irena Makaryk strains the trajectory of Shakespeare's and Kurbas's fortunes whereas additionally investigating the demanding situations that modernism posed to early Soviet ideology.

Ukraine's cultural background - nonetheless an undiscovered bourn - has often been submerged inside a homogenized Soviet event. the autumn of the Soviet Union and the ensuing starting up of many hitherto inaccessible documents has allowed a brand new probing of the grasp narratives created in the course of that regime. Invoking modern debates in regards to the cultural makes use of of Shakespeare (especially problems with canon, vintage, and authority), Shakespeare within the Undiscovered Bourn examines the complexities of the Soviet stumble upon with Shakespeare. It therefore makes a big contribution to the experiences of theatre, cross-culturalism, modernism, and postcolonialism.

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Additional info for Shakespeare in the Undiscovered Bourn: Les Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics

Example text

In particular, Kurbas was taken with the Austrian's Romeo, Hamlet, and Mark Antony. Valentyna Chystiakova (who was to become Kurbas's wife) recalled that Kurbas was enthralled by Kainz's brilliant, virtuoso technique, his combination of emotion and intellectualism, elegance and restraint (Chystiakova, Letter, 243—4). In her study of Kurbas's early years, Volytska suggests that Kurbas was affected by Kainz's superb control of technique: a mastery over every part of his body, as well as a firm control over the musicality of his voice.

We will apply our studies to all forms of theatre which interest us, and the more answers they [these forms] give us to [our] questions, the longer we will dwell upon them ... That art which doesn't go forward, which ossifies in tradition, stops living - is dead and ceases to be art. Our main work will be done in studio, where we will seek new forms, and the repertory theatre will be our field, where our research will find its application ... We begin precisely so that we ourselves will have a chance to learn.

Listing the many plays which constituted the broad repertoire of Viennese theatres in 1907-8, the Ukrainian director and theatre historian Iryna Volytska declared that they constituted what amounted to a university curriculum of important playwrights (Volyts'ka 23). Contemporary and classical plays of all genres were to be found on the various stages of the Austrian city. There was much to marvel at and learn from these productions, as well as from star touring players such as Eleanore Duse and Alexander Moissi, and from theorists and practitioners such as Georg Fuchs, Max Reinhardt, Adolphe Appia, and, especially Edward Gordon Craig.

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