By Silke Ackermann, Richard Kremer, Mara Miniati
In the course of their lively lives, clinical tools often inhabit the laboratory, observatory, school room or the sector. yet tools have additionally lived in a much wider set of venues, as gadgets on exhibit. As such, they gather new degrees of that means; their cultural services expand.
This booklet deals chosen stories of tools on reveal in museums, nationwide festivals, common exhibitions, patent workplaces, publication frontispieces, theatrical phases, motion picture units, and online collections. The authors argue that those monitors, as they've got replaced with time, mirror altering social attitudes in the direction of the items themselves and towards technological know-how and its historical past. by means of bringing demonstrate to the guts of study, the gathering deals a brand new and impressive framework for the research of medical tools and the fabric tradition of technological know-how.
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Extra resources for Scientific Instruments on Display
Example text
I hope that Your Excellency will be disposed to help us in this anything but simple task, which nonetheless represents our patriotic duty. ] It will be necessary, however, for Your Excellency to bear in mind that in the most categorical way at least one copy [of this collection] must be ready by the 15th of February”. Fondo IMSS, Carteggio Corsini I. We know in fact that Corsini did carry out research on Borelli, even if no publication came out of this work. Corsini’s hope of obtaining, in addition to official recognition of the Museo Nazionale di Storia della Scienza, a promise of regular financial support from the Consiglio Nazionale delle Ricerche (CNR) were destined to be disappointed.
Chapter 1 Andrea Corsini and the Creation of the Museum of the History of Science in Florence (1930–1961) Marco Beretta* Introduction The creation of the Institute and Museum of History of Science in Florence was due to the combination of a series of contingent circumstances driven by the strong-willed strategy of one man: Andrea Corsini (1875–1961) (Fig. 1). As surprising as it might seem, this curious combination is in fact quite typical in the history of Italian cultural heritage. Those passionate about the national heritage have rarely followed a deliberate and long-term political strategy and they have rarely been able to find support and funding from local or national authorities.
This Museum of the Royal University of Florence has been enlarged and better arranged in the Palazzo dei Giudici”; Rivista di storia delle scienze mediche e naturali 15 (1933), p. 96. The Biblioteca Nazionale would continue to occupy the second floor of the Palazzo Castellani for some decades. The museum even contributed 1,000 lire to the costs of moving a part of the library’s collection into a storehouse in the neighbourhood of Santa Croce. On 13 June 1934 Ginori Conti wrote yet again to the director of the Biblioteca Nazionale requesting that he vacate the second floor of the palazzo.