By George Ashdown Audsley
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Additional info for Organ-Stops And Their Artistic Registration (1921)
Lat, TIBIA VULGARIS. Ger. , BLOCKof the ordinary cylindrical form, of very large scale, and usually of 4 ft. pitch. The tone of this stop was of a normal flute character, which varied in in different examples. power Respecting the original sions of the stop, Seidel remarks: "It is German of Flute-work, ver- sometimes now and then made of conical pipes. , and 2 ft. tone. It imitates the tone of the Flute into which the wind is blown at the open, sometimes stopped, and It is made In the concluding remark, allusion is evidently made to the old FlUte & Bee, or Direct Flute.
Re- THEIR ARTISTIC REGISTRATION marks: is of a soft string-toned character, occurring in GerSwitzerland on almost all large and small Organs as an many and 8-ft. 35 "It solo stop. "* FORMATION. The MOLINE, properly of eight feet pitch, in its most approved modern form may be classed in the SALICIONAL family, of which it forms the softest-toned member. If voiced to yield a more decided string-tone, it may be considered an ECHO VIOLA DA GAMBA. The stop is formed of small-scale cylindrical pipes, preferably of tin or Hoyt two-ply, hard-rolled, pipe-metal.
Vox ACUTA AKUTA, SCHARF. , SCHERP. orating stop, composed of three or pipes, preferably of small scales. Lat. acutus Ger,, A compound harmonic-corrobmore ranks of open metal labial All the ranks are high-pitched voiced to yield bright and penetrating tones stop. sharp). hence the and name of the When in its best form it has a third-sounding rank which adds greatly to its acute tonality. As the pipes forming the stop are necessarily very small, the ranks will have to break three or four times in the manual compass of five octaves.