By Jason Youn
Award profitable photographer Jason Youn teaches images in order that someone can comprehend. the knowledge is gifted in a concise demeanour, the illustrations are uncomplicated & direct, the directions and private tales are precious, & his years of workmanship are obvious. Jason completely merges the technology, paintings, historical past, and pleasure of images. study all approximately: -Exposure. -f/Stops and Aperture. -Shutter velocity and ISO. -White stability and colour Temperature. -Lenses. -Focus. -The principles of paintings. -Framing. -Color & Brightness. -Lighting. -And even more. integrated during this ebook is a brilliant part on situational suggestions and methods so that you and your digicam could be able to seize that when in a life-time second sooner than it's long past perpetually. Jason Youn's e-book is written for everybody, in particular newbie and intermediate photographers, in order that an individual can grasp images!
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Extra resources for Mastering Digital Photography: Jason Youn's Essential Guide to Understanding the Art & Science of Aperture, Shutter, Exposure, Light, & Composition
Sample text
This time I had much more success. A small fly landed on the damselfly, causing it to suddenly flick its wings to remove it. The movement was quicker than a blink of an eye, but the frame-byframe footage revealed four images showing just how the wings moved and bent slightly when flicked. A few seconds later and the same fly returned, but this time the damselfly leapt into flight to try to eat it. The fly got away, but I had around a half of a second of footage of the action – 12 frames showing the very intricate movement of the flight of the damselfly (see above).
2, ISO 200 THIS really is a handsome chap, with a fine set of antlers and posing very nicely for the camera. I’m a big fan of silhouettes, as they can demonstrate graphic shape and help us appreciate the lines we see every day but fail to recognise since we are usually distracted by detail. For a silhouette to work, though, we need a clear contrast between the subject and its background. In Alan’s photograph, the ears and the base of the stag’s antlers stand out well because their background is quite light, but the action end of the antlers blends into the treeline, and the stag’s body is rather too much the same tone as the shaded grasses behind it.
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