By Walter Benjamin, Frédéric Joly, Antoine de Baecque
Penser, c'est ressentir. Et c'est à une expérience intime, intuitive, des sens et des formes, de l'espace et du monde que nous invite Walter Benjamin dans cet essai de 1939 qui reste son texte le plus populaire. Le philosophe y montre remark l'invention de los angeles photographie et surtout celle du cinéma, en rendant attainable los angeles replica substantial des œuvres d'art, ont précipité le « déclin de l'aura », formule désormais célèbre pour un notion devenu valuable dans l'histoire de l'art et los angeles philosophie esthétique, l'aura d'une œuvre étant l'effet de sa présence designated, liée à un lieu précis et inscrite dans l'histoire. À travers cette crise esthétique, c'est de notre société qu'il nous parle, une société où chacun a le droit d'être un héros et de peser sur l. a. vie de l. a. cité, mais une société qui doit aussi réinventer l'espace intime, le rapport au passé et au futur - et même l'authenticité.
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Extra resources for L’œuvre d’art à l’époque de sa reproductibilité technique
Sample text
The complexity and refine- ment of the decoration were possible only because there was close relationship between the lost-wax casting process and kind of ornamentation. a this 23 Historical 38 22. Statuette. Terra-cotta. Sao. Tago, Chad. Edouard Berne, Caravelle Films. Background Owner unknown. Photo by Historical 39 Background 24. Three figures from a tomb. Terra-cotta. Abiri, Nigeria. 23. Head of gazelle. Bronze. British Musee de l'Homme, Photo by the museum. Sao. Chad. Paris. The Civilizations of Museum, London.
According to this theory Nigeria was regularly populated by migrants from Nubia, where pre-Hellenic and Egyptian traditions were kept intact. Because the migrants ended up in regions occupied by peoples of the same origin, the situation was particularly favorable to the success of cultural grafting. d. only one conveying Mediterranean influences, but verted them to its own system year gap, the art of it not the has recon- of values. In spite of the thousand- Ife is in fact related to the art of familiar with terra-cotta It is work and quartz Nok.
Nommo, some- times represented as a figure with uplifted arms imploring rain, 17 Background Historical 32 17. Representation of raised arms. Stone. Musee de l'Homme, Nommo Dogon. Mali. Photo by Paris. the 16. Seated couple. with museum. Wood. Dogon. The Barnes Mali. Copyright 1966 by Foundation. evokes ideas of fertility and realm, and of the life-force. birth, of purification of the primeval The Egyptian hieroglyph ka, with two uplifted arms, represents man and his double. According Alexandre Moret, this character has a determinative function the hieroglyphic system.