Download Documentary: The Margins of Reality (Short Cuts) by Paul Ward PDF

By Paul Ward

In utilizing case experiences resembling Touching the Void (2003) and the flicks of Nick Broomfield, this well timed advent to the growing to be box of documentary explores the definition and figuring out of the shape, in addition to the connection among documentary and drama, in particular the idea of reconstruction and reenactment. Paul Ward additionally discusses lively documentaries, the fertile style of comedy, and feature-length modern works that experience accomplished common cinematic unlock.

Show description

Read Online or Download Documentary: The Margins of Reality (Short Cuts) PDF

Best film books

Bram Stoker's Dracula: Sucking Through the Century, 1897-1997

In 1897, Archibald Constable & corporation released a singular via the unheralded Bram Stoker. That novel, Dracula, has long gone directly to turn into probably the main influential novel of all time. To commemorate the centennial of that fab novel, Carol Margaret Davison has introduced jointly this selection of essays by means of a number of the world's major students. The essays examine Stoker's unique novel and rejoice its legacy in pop culture. the ongoing presence of Dracula and vampire fiction and flicks offers facts that, as Davison writes, Dracula is "alive and sucking. "

"Dracula is a Gothic mandala, an unlimited layout within which a number of reflections of the weather of the style are configured in dependent units of symmetries. it's also a kind of lens, bringing concentration and compression to varied Gothic motifs, together with not just vampirism yet insanity, the evening, spoiled innocence, affliction in nature, sacrilege, cannibalism, necrophilia, psychic projection, the succubus, the incubus, the spoil, and the tomb. collecting up and unifying all that got here prior to it, and casting its nice shadow over all that got here and keeps to return after, its impact on twentieth-century Gothic fiction and movie is exclusive and impossible to resist. "

-from the Preface through Patrick McGrath

Heat (BFI Modern Classics)

From Amazon: "For Nick James, the pleasures and virtues of this movie are combined and intricate. Its distinct compositions and minimalist kind are entangled with a specific form of extravagant bombast. The complexities upload to the curiosity of this bold movie. " Nick James is the editor of Sight and Sound journal.

The Mystical Gaze of the Cinema: The Films of Peter Weir

Interesting, attractive and provocative . .. This finely researched research is a must-read for movie students, movie fanatics and a person attracted to the non secular dimensions of pop culture and renowned leisure. Barbara Creed, Professor of reveal reports, Head of the college of tradition and verbal exchange, college of MelbourneA hugely unique paintings of scholarship .

The British Official Film in South-East Asia: Malaya/Malaysia, Singapore and Hong Kong

This ebook explores the ways that the British reputable movie used to be utilized in Malaya/Malaysia, Singapore and Hong Kong from 1945 to the Seventies. Aitken uncovers how the British authentic movie, and British legitimate details companies, tailored to the epochal contexts of the chilly struggle and finish of empire. as well as an intensive creation, which touches on a few serious concerns on the topic of the post-war British legitimate movie, the ebook offers an account of the way the culture of film-making linked to the British documentary movie move unfold into the area in the course of the post-war interval, and the way that culture used to be contested by way of a ‘Colonial workplace’ culture of film-making.

Extra resources for Documentary: The Margins of Reality (Short Cuts)

Example text

Moreover, narrative progresses from disruption to closure by meting out story information gradually, withholding important matters for dramatic effect. One way films delay pleasurable mastery is restricting knowledge to that of one or more characters. Rather than omniscience, the film offers positions in the diegesis by constructing secondary identification with characters. Philosophical, psychological and political debates question how, why, to what extent, or even whether, this happens (Neill 1996; Barker 2000).

Mann cleans his glasses, inaugurating an ongoing Spielberg theme, clarity of vision. A zoom in on the trucker’s hand approximates to Mann’s perspective. Everything is viewed through screens, explicitly when suddenly the image, like the supposedly burning celluloid of Bergman’s Persona, blurs and runs: a forecourt attendant, now entering the shot, is washing the windows, creating a barrier to identifying the trucker. Cowboy boots alone are visible. indd 23 23 30/10/06 1:44:19 pm equally summarises Spielberg’s practice: ‘Accustom the public to divining the whole of which they are given only a part’ (‘Notes on Cinematography’, quoted in Kelly 1999: 137).

The domed courtroom where Tanner appears resembles the War Room in Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), another satire of excessive response to perceived threat, with its own wilfully irresponsible cowboy grotesques. The low-angle tracking shot, accompanied by drums, of Tanner leaving the courtroom recalls Paths of Glory (1957), where an officer similarly balances duty and desire to protect life. Spielberg’s vehicular ‘mechanical ballet’ (Pye & Myles 1979: 231) is a terrestrial, undignified counterpart to the spacecraft in 2001.

Download PDF sample

Rated 4.78 of 5 – based on 30 votes
This entry was posted in Film.