Download Camera Raw with Photoshop For Dummies by Kevin L. Moss PDF

By Kevin L. Moss

* provided by way of Canon, Nikon, Minolta, Sony, and different top digicam brands, the digital camera uncooked layout shall we photographers create high-resolution "digital negatives"-uncompressed, unprocessed photos that they could then deal with and convert utilizing Photoshop
* Cameras that includes digicam uncooked functions are actually priced as little as $300
* This publication explains what digicam uncooked is, why severe novice photographers desire it, and the way to utilize it utilizing Photoshop's strong digicam uncooked plug-in
* themes lined contain comparing and dealing with digicam uncooked photos, harnessing Photoshop digicam uncooked instruments, utilizing metadata, figuring out colour, and correcting photos

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Additional resources for Camera Raw with Photoshop For Dummies

Sample text

Save the image. After making adjustments, save the image by choosing File➪ Save or by clicking the Save button on the Option bar. Figure 1-20: Increasing saturation in an image with the Hue/Saturation adjustment. 29 30 Part I: Getting Your Feet Wet Figure 1-21 shows you how making Levels and Saturation adjustments can dramatically change the appearance of an image. ) Original image Adjusted image Figure 1-21: Original image and the image with levels and saturation adjustments. 2 Enlightened by Raw In This Chapter ᮣ Describing raw format ᮣ Comparing raw to JPEG and TIFF ᮣ Balancing the advantages of doing raw against the convenience of JPEG ᮣ Checking out the DNG format L uckily for shutterbugs, the technology of digital photography is always evolving.

Saving the image to another folder in Photoshop format is the best method of keeping your images organized and your original image preserved. Select File➪Save As, or press Shift+Ctrl+S (Shift+Ô+S on a Mac). The Save As window shown in Figure 1-17 gives you the choices to select a folder, change the filename if you choose, and most importantly change the file format. PDD) as the file format. Click the Save button to save your working file. Figure 1-17: The Save As window. 3. Duplicate the background layer.

These settings ensure that you’re prompted to choose a color space to apply when you open an image in Photoshop that doesn’t match your default working space. 6. Set Conversion Options settings. I recommend leaving the defaults for these settings to Adobe (Ace) for the Engine and Relative Colorimetric for the Intent. Figure 3-5: Setting the RGB Working Space to Adobe RGB (1998). The Engine setting controls Photoshop methods used for converting colors from one profile to another. The Intent setting specifies what you want the rendering to accomplish for conversions from one profile to another.

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